STUDIO / BROOKLYN

STORY

STORY

The studio sits between sculpture, painting, assemblage, and fabrication. Glass is used less as a symbol of clarity than as a material capable of interruption, distortion, accumulation, and repair.

The studio sits between sculpture, painting, assemblage, and fabrication. Glass is used less as a symbol of clarity than as a material capable of interruption, distortion, accumulation, and repair.

Glassworking tools arranged on the studio wall
Glassworking in the hot shop

Alex Krueger works with blown, kiln-cast, fused, painted, and assembled glass. The work is built through fragments that remain distinct while becoming part of a larger object.

Earlier figurative and symbolic work gradually shifted toward abstraction, with painting continuing to shape the use of color, gesture, layering, and composition. Seams, gaps, changes in density, and evidence of construction are kept visible rather than concealed.

The studio also maintains an active fabrication practice. That technical work—prototyping, production, assisting, and solving material problems—feeds back into the sculptural practice by keeping process and construction central.

A glass vessel being worked in the studio